The apartment’s existing doors were replaced by vintage ones found in the city’s Embu das Artes antiques area, where the owner’s family runs a wallpaper industry; the “white collage” paper on one of the walls, made by artist Lucas Simões, is actually theirs. Meanwhile, the colourful cement tiles on the floor, which replaced patches of wood infested with termites, add style and character that matches the antique tiles in the kitchen. Bare brick walls and exposed-concrete pillars create a sense of incompletion, while traces of the old walls on the ceiling were kept intact to suggest a sense of temporality that makes the place look fresh and playful. A run-down wall has its own little tale to tell: “One day we fixed a picture with a double-sided tape and when we removed it, the tape took off a piece of the wall. The result was actually beautiful, so we decided to ruin the whole wall” remembers architect Rogério Gurgel of RSRG Architects, who enjoys the result of his work first-hand, as he lives in the flat with his partner, the owner of the apartment.

The decoration is a great mix of references: A beloved piano, some classic pieces like the iconic Paulistano chairs as well as one-of-a kind items like the bed discovered at a flea market. Images of saints from all over the world —like little owls, Brazilian Indians’ artefacts, Bolivian and African sculptures— give away the fact that this is an avid craft collector’s house. The owner’s grandmother gifted the flat with beautiful antiques such as the shiny black Chinese cabinet, a chair with ox bone finishing and an inviting, iron heart-shaped chair located in the entrance. But what steals the show is the assortment of plants, a concept that Rogério closely worked on with landscape artist Daniela Ruiz. Commenting on the vivid green ivy and ficus lyrata plants, he remarks: “we live in a very grey city and the apartments are getting smaller and smaller. Plants are beautiful; they make our place more vivid and cosy, and they reconnect us to nature.”