"After The Mona Lisa" re-creation of Leonardo da Vinci's Mona Lisa , 2005,  2, 85" h x 86"w, 5,184 spools of thread, stainless-steel ball chain and hanging apparatus, clear acrylic viewing sphere on metal stand.

Devorah Sperber’s Mona Lisa Reimagined with 5,184 Spools of Thread

Words by Costas Voyatzis

New York, US

New York-based artist Devorah Sperber masterfully blends art, science, and technology in her innovative work, exploring how the brain processes visual information versus how we perceive it. With extraordinary creativity, she uses thousands of spools of thread to create pixelated, inverted versions of iconic masterpieces. These colorful abstractions appear unrecognizable to the naked eye but transform into familiar images when viewed through an optical device.

Sperber’s thread sculptures are suspended upside down, a nod to the way the human eye projects an inverted image onto the retina, which is later corrected by the brain. To complete the illusion, a clear acrylic sphere is placed in front of each work. This sphere functions like the human eye and brain, inverting and focusing the image into a sharp, faithful reproduction of the original painting.

Her concept draws inspiration from the mechanics of printmaking, emphasizing how technological reproductions alter both the scale and perception of art in “the mind’s eye.” Through her work, Sperber invites viewers to question how we interpret visual information and experience art.

"After The Mona Lisa" re-creation of Leonardo da Vinci's Mona Lisa , 2005,  2, 85" h x 86"w, 5,184 spools of thread, stainless-steel ball chain and hanging apparatus, clear acrylic viewing sphere on metal stand.

"After The Mona Lisa" re-creation of Leonardo da Vinci's Mona Lisa , 2005, 2, 85" h x 86"w, 5,184 spools of thread, stainless-steel ball chain and hanging apparatus, clear acrylic viewing sphere on metal stand.

Describe yourself in five words.
A passionate, focused, intense, funny, dog-lover.

What inspires you?
It’s hard to say specifically because I find inspiration literally everywhere.

If you could live in a different era, which one would it be?
The future—I’m very curious to see what happens next.

It seems that spools of thread inspire you with stunning results. What is hidden behind this specific selection of material?
Nothing is hidden. Thread spools are stunningly beautiful objects, and they happen to be pixel-like in their shape.

How did everything start?
I am a believer in the “Big Bang” theory. My personal big bang was asking myself the question: “How does a sculptor, who deals with mass, volume, and materiality, respond to the digital nothingness of a pixel?”

Suppose Leonardo da Vinci, Pablo Picasso, and Jan van Eyck were alive and within earshot. How would you react, and what would you say to each of them?
I tend to be shy when meeting people I admire, so I’d likely be a little tongue-tied. I’d want to show da Vinci and van Eyck my work based on theirs and ask for their thoughts. As for Picasso… hmmm… he was such a ladies’ man, I think I’d keep my distance.

"After van Eyck," 2006,  5,024 spools of thread, stainless steel ball chain and hanging apparatus, clear acrylic viewing sphere, metal stand (104"-122" h x 100” w x 60” d)

"After van Eyck," 2006,  5,024 spools of thread, stainless steel ball chain and hanging apparatus, clear acrylic viewing sphere, metal stand (104"-122" h x 100” w x 60” d)

"After van Eyck," 2006,  5,024 spools of thread, stainless steel ball chain and hanging apparatus, clear acrylic viewing sphere, metal stand (104"-122" h x 100” w x 60” d)

"After van Eyck," 2006,  5,024 spools of thread, stainless steel ball chain and hanging apparatus, clear acrylic viewing sphere, metal stand (104"-122" h x 100” w x 60” d)

How much time do you need to complete each piece of art?
It ranges from a month to six months.

Could you give us a small description of the design process for your thread sculptures?
This recent PBS feature program offers an in-depth look at my process: [Link to feature]

You are going for a weekend “somewhere” and can invite seven famous people, dead or alive. Where would you go, and who would they be?
I’m not very social these days. I’d rather go to a dog agility camp or competitive trial (my hobby). I’d bring my husband, my dog, and any friends (and their dogs) who also love dog agility.

What does art mean to you, and what makes it different from design?
The line between art and design is getting blurrier, which I think is good for both. I can’t define exactly what art means to me other than it’s what I do most days, and I can’t imagine a better way to earn a living.

Which is your favorite artwork and why?
It’s impossible to choose. There are aspects of different works I like best, but I don’t have a singular favorite.

Describe your perfect day.
Today is perfect so far. I just heard my dog’s toenails ticking on the floor upstairs, and now he’s greeting me with a wagging tail and sleepy face. The sun is rising here in Woodstock, New York. I have a hot cup of coffee in front of me, a clear idea of work to do in the studio today, dinner plans with friends at my favorite Woodstock restaurant, “The Bear,” and spring is just around the corner.

  • "After The Last Supper" re-creation of Leonardo da Vinci's Last Supper , 2005,  (85" h x 29' w), *20,736 spools of thread, aluminum ball chain, stainless-steel hanging apparatus, clear acrylic viewing sphere, metal stand

    "After The Last Supper" re-creation of Leonardo da Vinci's Last Supper , 2005, (85" h x 29' w), *20,736 spools of thread, aluminum ball chain, stainless-steel hanging apparatus, clear acrylic viewing sphere, metal stand

  • "After The Last Supper" re-creation of Leonardo da Vinci's Last Supper , 2005,  (85" h x 29' w), *20,736 spools of thread, aluminum ball chain, stainless-steel hanging apparatus, clear acrylic viewing sphere, metal stand

    "After The Last Supper" re-creation of Leonardo da Vinci's Last Supper , 2005, (85" h x 29' w), *20,736 spools of thread, aluminum ball chain, stainless-steel hanging apparatus, clear acrylic viewing sphere, metal stand

  • "After The Last Supper" re-creation of Leonardo da Vinci's Last Supper , 2005,  (85" h x 29' w), *20,736 spools of thread, aluminum ball chain, stainless-steel hanging apparatus, clear acrylic viewing sphere, metal stand

    "After The Last Supper" re-creation of Leonardo da Vinci's Last Supper , 2005, (85" h x 29' w), *20,736 spools of thread, aluminum ball chain, stainless-steel hanging apparatus, clear acrylic viewing sphere, metal stand

After Vermeer 2, 2006/ Based on The Girl with a Pearl Earring, (1665-1666) by Johannes Vermeer. Royal Cabinet of Paintings Mauritshuis, The Hague

After Vermeer 2, 2006/ Based on The Girl with a Pearl Earring, (1665-1666) by Johannes Vermeer. Royal Cabinet of Paintings Mauritshuis, The Hague

After Vermeer 2, 2006/ Based on The Girl with a Pearl Earring, (1665-1666) by Johannes Vermeer. Royal Cabinet of Paintings Mauritshuis, The Hague

After Vermeer 2, 2006/ Based on The Girl with a Pearl Earring, (1665-1666) by Johannes Vermeer. Royal Cabinet of Paintings Mauritshuis, The Hague

  • After Picasso, 2006 / Based on the portrait Gertude Stein, (1906) by Pablo Picasso. The Metropolitan Museum of Art, New York

    After Picasso, 2006 / Based on the portrait Gertude Stein, (1906) by Pablo Picasso. The Metropolitan Museum of Art, New York

  • After Picasso, 2006 / Based on the portrait Gertude Stein, (1906) by Pablo Picasso. The Metropolitan Museum of Art, New York

    After Picasso, 2006 / Based on the portrait Gertude Stein, (1906) by Pablo Picasso. The Metropolitan Museum of Art, New York

The Eye of the Artist: 
The Work of Devorah Sperber
Brooklyn Museum
Brooklyn, NY, January 26- May 6, 2007

The Eye of the Artist:
The Work of Devorah Sperber
Brooklyn Museum
Brooklyn, NY, January 26- May 6, 2007