Gucci Bloom: The Campaign Film
“I wanted a rich white floral fragrance, a courageous scent that transports you to a vast garden filled with many flowers and plants, a bouquet of abundance. The garden is as beautiful as women are; colorful, wild, diverse, where there is everything,” Alessandro Michele. Presenting the Gucci Bloom film campaign, directed by Glen Luchford and starring Dakota Johnson, Hari Nef and Petra Collins.
Music: ‘The Rip’ by Portishead, Universal Island Records.
"The commercial is layered, like all women are," Petra Collins told us when we met to discuss her involvement in the campaign. "We're not one dimensional characters; we all have a little dark side to us, not just a light side," she said with a smile. Petra has, in fact, been described as Gucci Bloom's "symbol of vitality" and after speaking we can't help but imagine that Allesandro must have made up his mind about her from the first time they met two years ago, when Petra walked in his Fall/Winter '16 show. "I was very lucky to have first met him in his studio, because that was like an introduction into his mind," Petra told us. "Allesandro loves strong people and really respects artists. I think that in Hari, Dakota and myself, he saw three strong women who are doing something different in their respective fields; I think that's what excited him about each of us."
As far as filming the commercial went, Petra told us that one of the reasons it is so believable is because the three women were already friends. "That’s why it was so fun to film; because it was literally three friends hanging out! This is why I think the ad feels so sweet and intimate and special - we were actually having fun!" In truth, the advertisement is a beautiful piece of filmmaking - and quite a departure from the hyper-sexualized advertisements that are usually associated with fragrances - and we can't help but comment that, while watching it, you almost smell the fragrance notes wafting through the strong visuals.
Another strong point to the fragrance itself is that, although it comes in a powder pink, lacquered porcelain, bottle and is modelled by three women wearing flowing clothes in a luxuriant garden, the scent isn't genre specific. "That's another reason it's so special and exciting - a grandpa can wear it, my little sister, myself… literally, anyone can," Petra told us adding that although she actually never usually wears perfume because fragrances usually "take over and aren't tailored to each individual personality," Bloom is different. "It feels like it’s a part of me and not like I've put on something in order to become somebody else." That's what people are looking for nowadays when choosing a fragrance: something that will make them feel like the best version of themselves.
In truth, by way of fragrance making magic, perfumer Alberto Morillas honed in on his 45 years as a perfumer and managed to concoct a scent bearing two types of Jasmine Sambac and Tuberose, balanced by musk - "a simple formula with a complex materiality" as Alberto said adding that it's actually the most expensive formula he's created although the perfume's shelf price doesn't reflect this. It quite literally seems to change depending on the person who wears it. Gucci BLOOM also features notes of another plant used in perfume making for the first time, the Rangoon Creeper - discovered in South India, it embodies the new scent’s concept and name, as it changes color from white, gradually darkens to pink then finally to red when it blooms. "It's a dream. Alessandro didn't want a 'marketing' perfume, he wanted an 'emotional' perfume," Alberto shared with us, adding that the entire process, from first creative meeting to completion, took just a year.
"Allesandro is a typical creator. He wanted to have emotion in the perfume so that when one smells it they immediately get the impression of walking in a garden in the early morning, complete with green leaves and flowers blooming… just like in the film,” Alberto said, describing Gucci's Creative Director as "a magic man who gives a lot from his soul."
Perhaps this is why so many of the characteristics that Allesandro chose for this fragrance, from the notes, to the bottle, are so perfectly on trend; Pantone's Color of the Year is Greenery, while one of the design world's prominent colours for 2017 also happens to be pink, just like the square bottle. However, this is an unsurprising "happenstance" considering that Gucci is one of the most esteemed fashion companies worldwide and Mr. Michele one of the industry's most admired creators.
Frankly, fragrance is the perfect puzzle piece to weave into the company's already elaborate fabric. Petra Collins, who has a retrospective book of her work coming out with Rizzoli in October, agreed. "I think it [fragrance] is important because it's a different medium. Clothing is so visual, whereas this is sensory. It evokes a memory and an emotion. I think it's key [to the company] because it [completes] the whole person."
We couldn't help ourselves and so asked Alberto what notes he'd choose if he were asked to create a scent that described the concept of 'love.' "It depends on if one's eyes are open or closed," he said mischievously, after some thought however concluding: "Love to me would smell like musk. Because the warmth of one's skin coupled with the chemical reaction make an expression of one's sensibilities, of one's life. And it is through a combination of musks that we can express the scent of life."
In other words, the fragrance would smell a lot like Gucci Bloom.