Installed in the courtyard of the historic Hansen building in ancient Jerusalem during the city's design week, the suspended wheat tillers coalesced into a swarm-like, hazy composition that visitors could walk under and around. Sharing a similar colour palette with the surrounding stone walls and paving, it nevertheless stood out in its chaotic weightlessness against the heaviness and rectilinear order of the stone structure. Floating like an ethereal chandelier softly echoing the building’s arches, Goren conjured up the past in all its intricate richness as a visceral reminder of the diversity and uniqueness we are in jeopardy of erasing in our quest for agricultural efficiency.
During the week-long show, visitors had a chance to experience the installation from dawn to dusk, and well into the night, as it gradually shifted in apparent density, colour and texture under daylight, sunlight and artificial lighting. Since it was conceived as a seasonal installation, hopefully we will get another chance to experience Goren soon with plans for an upcoming show in the spring of 2019 already under way.