
A Retro-Modern Reinvention: North of Brooklyn Pizzeria’s Latest Toronto Outpost by MRDK
Words by Yatzer
Location
Toronto, Canada
A Retro-Modern Reinvention: North of Brooklyn Pizzeria’s Latest Toronto Outpost by MRDK
Words by Yatzer
Toronto, Canada
Toronto, Canada
Location
For over a decade, North of Brooklyn Pizzeria has been serving some of Toronto’s most beloved New York–style pizzas, earning a devoted local following for its artisanal craft and laid-back atmosphere. For its new Queensway location in Etobicoke, the Toronto-based chain has once again partnered with Montréal-based design studio MRDK to translate its unfussy, quality-driven ethos into a spatial form.
The result is a two-storey venue that not only redefines the brand’s architectural identity but also expands its hospitality offering: while the ground floor remains dedicated to North of Brooklyn’s signature takeout experience, the upper level introduces the Low Rise Bar, a new concept where patrons can enjoy craft beer, wine, and cocktails, alongside North of Brooklyn’s pizzas. Drawing from the aesthetics of New York slice shops, American diners, and 1960s Italian aesthetics, the design strikes a deft balance between nostalgia and modernity, bridging the concept of neighbourhood familiarity with a more refined sense of occasion.

Photography by David Dworkind.

Photography by David Dworkind.

Photography by David Dworkind.
On the ground floor, the takeout counter channels 1980s fast-food interiors through a lens of contemporary minimalism. The space is wrapped in cream-coloured, high-gloss, three-dimensional tiles by Dutch brand DTILE, which bend around corners, recess into product displays, and even morph into hooks for hanging branded merchandise on. Overhead, a luminous grid ceiling that echoes the tiling’s geometry casts a warm amber glow, while large street-facing windows flood the interior with natural light, making the glossy surfaces gleam throughout the day. Encircling the space, a chocolate-coloured band alternates between tiles and cylindrical leather backrests lining the window, in what translates into an inventive gesture that doubles as both a visual anchor and casual perch, adding to the scheme’s playful precision.

Photography by David Dworkind.

Photography by David Dworkind.

Photography by David Dworkind.
Upstairs, the mood in the Low Rise Bar’s 40-seat dining area shifts, embracing an atmosphere that brings together the familiarity of a diner with the intimacy of a 1960s cocktail lounge. Here, MRDK looked to mid-century design for cues, combining curving forms and rounded edges with a tactile palette of walnut panelling, dark timber flooring, leather, and brushed metal.
Anchoring the space is a bar counter clad in tumbled marble mosaic and capped with zinc, a material that will develop a rich patina over time. Curvaceous bar stools with cylindrical supports and a fluted pendant light by In Common With casting a soft golden hue reinforce the counter’s mid-century charm. Green leather banquettes with tubular backrests, inspired by Italian designer Joe Colombo’s iconic 1969 Tube Chair, and cream-painted folded steel feet, playfully extend this retro-modern dialogue.

Photography by David Dworkind.

Photography by David Dworkind.

Photography by David Dworkind.

Photography by David Dworkind.
In what is a thoughtful approach to function MRDK’s deft sense of materiality is complemented by new side windows aligned with cantilevered walnut tables to maximise natural light, while mechanical systems are neatly concealed within a perimeter bulkhead whose integrated cove lighting accentuates the texture of the ceiling.
By merging the efficiency of a modern pizzeria with the material richness of mid-century design, the new Queensway location captures the evolution of both brand and typology in a space where restraint meets indulgence, expertly proving that even a neighbourhood pizzeria can become an exercise in crafted sophistication.

Photography by David Dworkind.

Photography by David Dworkind.

Photography by David Dworkind.








