The "Perspective and Matter" exhibition by Luso Collective transforms a raw, industrial space into a gallery for contemporary furniture. An array of minimalist designs in various materials like wood, metal, and stone are artfully arranged amidst the decaying concrete walls and exposed timber beams, creating a dramatic interplay between raw architecture and refined objects.

Lisbon Design Week 2025: A City Reclaims Its Creative Pulse

Words by Paola Carimati

Lisbon, Portugal

The story of the third edition of Lisbon Design Week (May 28 – Jun 1, 2025) begins with a mapping of works by a small creative community, steadfastly rooted in local cultural identity. Without rhetoric or nostalgia, the collections, impulses, and experiments on display form an international landscape open to cross-cultural exchange. Thanks to the urban redevelopment plan which launched in 2007 by the then-socialist government—a plan that continues to resist the more dystopian aspects of urban regeneration—design has become a guiding light in Lisbon’s path to renewal. And with it, a rhythm to a new kind of harmony that unfolds on a human scale.

This renewed urban landscape has created fertile ground for a broader cultural shift. Portugal is a land of emerging talents navigating an international system that often feels saturated, standardized, and creatively fatigued. Focusing on local and marginal perspectives with fresh attention allows us to detect the strength of subtle signals. When nurtured, these signals have the potential to flourish and resonate. Championing these narratives bestows dignity on a slower, more intentional way of life, one we often idealize, sometimes excessively. Without romanticizing, this is the story of a generation working with purpose, grounded in a culture where the local and the global reflect one another. This transformation is exemplified by the international designers who have made Lisbon their home.

A compact, terracotta-colored program guide for Lisbon Design Week 2025 is prominently displayed on a light-colored surface. The cover, featuring clean typography, states "LISBON DESIGN Week" and "MAY/MAIO 28 JUNE/JUNHO 01 2025," signaling an event focused on contemporary design.

Lisbon Design Week 2025 guide. Courtesy Lisbon Design Week.

The "Perspective Matter" exhibition by Luso Collective is set within a dramatic, derelict space with exposed wooden beams and aged concrete walls. Various contemporary design pieces are strategically placed, including a glowing spherical lamp, a dark sculptural chair, and modular shelving units. The raw, industrial backdrop creates a powerful contrast with the refined modern furniture, evoking a sense of discovery and unexpected beauty.

Installation view, "Perspective & Matter" curated by Luso Collective. Photography by Irina Boersma Machado.

  • A minimalist wooden coffee table by Gonçalo Campos features an irregular, organic-shaped top crafted from light-toned wood. Supported by thick, cylindrical legs, its form is both playful and sculptural. The clean lines and natural material reflect a contemporary design sensibility, emphasizing craftsmanship and unique spatial presence.

    Loonga table by Gonçalo Campos for Collector. Courtesy of Collector Group.

  • A close-up detail of a wooden table by Gonçalo Campos highlights a distinctive, undulating carved channel running across its light-toned surface. The fluid, organic groove contrasts with the straight grain of the wood, showcasing precise craftsmanship and a focus on subtle, sculptural details within a minimalist aesthetic.

    Loonga table (detail) by Gonçalo Campos for Collector. Courtesy of Collector Group.

  • A black and white portrait captures collector Gonçalo Campos, a bearded man, standing by a window and intently reading a book. His relaxed posture and simple linen shirt evoke a contemplative, authentic mood, reflecting Yatzer's appreciation for individuals deeply connected to the art of living beautifully.

    Portrait of Gonçalo Campos. Courtesy of the designer.

The "Kukua" exhibition at Prime Matter Gallery, presented during Lisbon Design Week, showcases a vibrant, bohemian-inspired seating area within an historic space. A low-slung wooden sofa with striped green and blue cushions is surrounded by natural fiber stools and round woven rugs. Exposed brick arches and stone columns frame walls adorned with diverse ethnographic photographs, creating an immersive, culturally rich atmosphere.

Installation view, "Kukua" exhibition at Prime Matter gallery. Photography by Babled Studio.

A testament to Lisbon's growing reputation as a hub for creative exchange, the city has been attracting international designers such as Noé Duchaufour-Lawrance and Emmanuel Babled, both of whom have opened their studios and galleries in the city. During Lisbon Design Week, Duchaufour-Lawrance’s Made in Situ gallery presented Xisto, a tribute to the eponymous schist stone that shapes the landscape and identity of northeastern Portugal's Foz Coa, home to two UNESCO World Heritage sites: namely, the Coa Valley's Prehistoric Rock Art Sites and the Douro Wine region.

Meanwhile, Babled's Prime Matter gallery presented Kukua, a contextual installation that reimagined a coffee shop using handcrafted objects designed in partnership with Tanzanian artisan collectives, notably WomenCraft—a network of 600 women across 20 villages located near the borders of Rwanda and Burundi. Each design is adapted to local production capabilities, ensuring sustainability and honouring the tacit knowledge of these craftspeople

  • The Prime Matter Gallery's "Kukua" exhibition by Babled Studio features a rich display of woven natural fiber lighting and seating, set against a warm, neutral wall with an exposed architectural column. Circular wall-mounted lamps emit a warm glow, complementing a large round woven chair and a low table with concentric blue and natural patterns. The collection exudes a bohemian and artisanal aesthetic, emphasizing texture and handcrafted forms.

    Installation view, "Kukua" exhibition at Prime Matter gallery. Photography by Babled Studio.

  • A seating vignette within the "Kukua" exhibition at Prime Matter Gallery, featuring an eclectic mix of natural materials. Two light-toned rattan chairs with cream cushions frame a circular woven coffee table. Overhead, two unique pendant lights, one with a fringed straw shade and another with a woven, sculptural form, cast warm light on the stone walls and concrete floor, creating an inviting, artisanal ambiance.

    Installation view, "Kukua" exhibition at Prime Matter gallery. Photography by Babled Studio.

A collection of five abstract, highly polished brass sculptures from Maison Intègre are arranged on a light wooden shelf against a softly draped white fabric. Their forms range from conical to more architectural, with subtle rings and curves, showcasing a modern, refined aesthetic. The play of light and shadow accentuates the warm metallic sheen and the elegant simplicity of their shapes.

Bronze pieces by Maison Intègre. Modelled in natural wax and cast from recycled metal. Courtesy of Maison Intègre.

This same model is embraced by Ambre Jarno, founder of design studio Maison Intègre. Based in Ouagadougou, the capital of Burkina Faso since 2017, her workshop produces bronze furniture and objects using the ancestral lost-wax technique where each piece is crafted from recycled metals and natural materials.

The "Sobre Mesa" exhibition by Arquivo Aires Mateus features a long, low display table showcasing a diverse collection of contemporary tableware and ceramic objects in muted and vibrant tones. Behind it, large photographic panels depict lively dining scenes, creating a dynamic interplay between the exhibited objects and their potential use, set within a spacious, modern gallery.

Installation view, Sobre Mesa at Arquivo Aires Mateus. Curated by MUT Design and João Xará. Photography by Sirence Studios.

  • A striking display from the "Sobre Mesa" exhibition by Aires Mateus features a tall, stacked audio system with large speakers, positioned on a light floor with subtle line drawings. Behind it, three large photographic prints depict vibrant, richly laden dining tables. The composition creates an intriguing juxtaposition between functional design, artistic photography, and a playful, immersive atmosphere.

    Installation view, Sobre Mesa at Arquivo Aires Mateus. Curated by MUT Design and João Xará. Photography by Sirence Studios.

  • Two sculptural, twisted metal vases with a matte finish stand prominently on a textured grey surface, amidst an array of design objects including blue ceramics and a wine rack. This scene, part of the "Sobre Mesa" exhibition by Aires Mateus, captures a thoughtful interplay of industrial materials and fluid forms, reflecting a minimalist yet explorative design philosophy.

    Installation view, Sobre Mesa at Arquivo Aires Mateus. Curated by MUT Design and João Xará. Photography by Carla Alcala Badias.

  • An art installation featuring a gray, undulating surface reminiscent of a road, displaying various sculptural objects, including an orange textured piece and a large stack of beige cushions. In the background, two large panels display vibrant photographic prints of a lively table setting. Titled "Sobre Mesa" by Aires Mateus, the scene creatively explores domesticity and artistry through unconventional design elements.

    Installation view, Sobre Mesa at Arquivo Aires Mateus. Curated by MUT Design and João Xará. Photography by Miguel Flor.

  • A pristine white exhibition hall showcases an eclectic array of modern chairs, with a vibrant orange modular seat, a red accent chair, and a dark brown rounded armchair prominent in the foreground. In the background, a diverse collection of wooden and contemporary chairs continues the display. The clean, open space with track lighting emphasizes each piece's unique form, typical of Branca Lisboa's curated selection.

    Installation view, Chairman - 15 years on chairs by Marco Sousa Santos at Branca Lisboa. Photography by Sirence Studios.

  • A contemporary bench with a curved, woven tan leather seat and a minimalist black metal frame sits centrally in a white exhibition space. Behind it, a wall display features three rows of diverse chair silhouettes, creating a visual narrative of form and function. The composition highlights classic design principles and craftsmanship, typical of Branca Lisboa's focus on timeless pieces.

    Installation view, Chairman - 15 years on chairs by Marco Sousa Santos at Branca Lisboa. Photography by Sirence Studios.

A minimalist Hamrei living space features a long, low-slung grey sofa facing a rough-hewn stone coffee table on a neutral rug. Floor-to-ceiling sheer white curtains create a soft, diffused light, contrasting with the dark industrial ceiling and concrete floor. Gold accents, a sculptural lamp, and a striped stool add subtle warmth, creating a serene, contemporary ambiance.

Hamrei’s studio and showroom. Courtesy of Hamrei.

A contemporary dining or workspace by Hamrei features a long, low white table and chairs with slender gold legs and brown textured seatbacks. In the background, a substantial dark grey marble counter runs beneath sleek, minimalist cabinetry, with three slim cylindrical pendant lights hanging above. The space balances rich materials and clean lines, embodying a sophisticated, modern aesthetic.

Hamrei’s studio and showroom. Courtesy of Hamrei.

A sophisticated Hamrei interior features a round, rough-hewn stone table with a dark, ridged base, paired with a singular chair offering a woven cane backrest and textured white seat. Two slender, cylindrical pendant lights in deep teal suspend above, complementing a green ceramic bowl on a back ledge. The composition highlights earthy textures and natural tones, creating a serene, Japandi-inspired ambiance.

Hamrei’s studio and showroom. Courtesy of Hamrei.

A grand piano subtly emerges from the background of a refined Hamrei living space, characterized by a deep grey ceiling, fluid white sheer curtains, and a long, low-slung beige sofa. The concrete floor and minimalist furnishings create a contemplative atmosphere, where the interplay of light and shadow, typical of a Hamrei design, evokes a sense of understated elegance.

Hamrei’s studio and showroom. Courtesy of Hamrei.

But it’s the wave of younger creatives that truly energizes the scene. Designers like Marianna Ralo and AB+AC Architects (whose work was on view in the just opened Locke de Santa Joana hotel), Hugo Passos, Carla Alcalà Badias and Gonçalo Campos (part of the Sobre Mesa exhibition at Arquivo Aires Mateus, and Studio Gameiro and Hamrei (both presenting new designs in their showrooms), embody a new generation of product and interior designers who have chosen to live and work in Portugal.

  • A captivating installation at Locke Santa Joana by AB and AC architects and Alma features two sculptural candle holders. In the foreground, dark, rectangular forms ascend, integrating amber block candles. In the mid-ground, a circular, fragmented dark form also holds lit candles. The rough stone floor contrasts with the modern structures, creating a mood of contemporary contemplation.

    Alma Mater collectible series by AB+AC Architects. Installation view at Locke de Santa Joana hotel.

  • A close-up captures the base of a dark, sculptural object from AB and AC architects at Locke Santa Joana. Its stacked, interlocking rectangular forms descend into a bed of fine, pale sand or grit, suggesting a dialogue between structured design and natural elements. The image highlights textural contrast and the interplay of form and ground.

    Alma Mater collectible series by AB+AC Architects. Installation view at Locke de Santa Joana hotel.

  • An atmospheric courtyard at Locke Santa Joana, featuring a sculptural installation by AB and AC Architects. Titled "Alma Mater", is consists of two large-scale pieces, composed of dark, vertical elements that stand out amid the historic stone-floored space. Stripped walls with faded murals and white drapes hint at preserved architectural history, creating a meditative blend of old and new.

    Alma Mater collectible series by AB+AC Architects. Installation view at Locke de Santa Joana hotel.

A close-up of the circular, ground-level candle installation from AB and AC Architects' "Alma Mater" exhibition at Locke Santa Joana. A ring of dark, vertical fin-like structures encircle a bed of light-colored sand, with warm amber candles flickering intermittently, creating a focal point of contemplative light and shadow against the textured stone floor.

Alma Mater collectible series by AB+AC Architects. Installation view at Locke de Santa Joana hotel. Photography by Sirence Studios.

A minimalist collection of five cylindrical and rectangular lamps by Thayra Correia, crafted from brushed metal and wood, is artfully arranged on a polished concrete floor. The subtle illumination from within these sculptural forms creates a serene atmosphere, highlighting their clean lines and understated industrial-meets-Japandi aesthetic.

Djuntu Collection of metal lamps by Thayra Correia. Courtesy of the designer.

An expansive, raw architectural space with exposed wooden beams and a stone-based wall features three distinct, sculptural chairs by Ther. In the foreground, a light wooden chair with a carved back resembling an animal's head stands near a dark, blocky chair. The composition highlights unique, handcrafted forms in a rugged, neo-vernacular setting.

Askew Chair by THER in splayed polish walnut, burned stone pine, and chestnut. Photographed in THER’s countryside studio. Courtesy of THER.

Three ceramic vessels by Anna Westerlund are arranged against a stark white background: a goblet, a pitcher, and a jug with an ornate handle. Each piece features a natural, light beige base adorned with a distinctive pattern of parallel, off-white lines, some angled, reflecting a modern take on traditional craftsmanship with subtle bohemian accents.

Ceramic objects by Anna Westerlund. Courtesy of the designer.

A collection of modern, sculptural vases from Tosco Studio's "Time Vessels" series, presented in various sizes and organic shapes. Each vase features a unique marbling effect in muted earth tones, soft greens, blues, and yellows, with some displaying cut-outs. Dynamic shadows cast across the white surface highlight their tactile forms and artistic craftsmanship.

Time Vessels sculptural series of concrete vases by Tosco Studio. Photography by Ana Araújo.

An outdoor courtyard at Locke Santa Joana features a striking, large-scale textile artwork by Mariana Ralo, composed of abstract, colorful geometric patterns. Below, a classic white fountain with three spouts anchors a lush green lawn, complemented by natural material seating. Tall, vibrant, sculptural forms by Terrakota studio add a modern, eclectic touch to this serene outdoor setting.

Tapestry by Mariana Ralo, and ceramic sculptures by TERRAKOTA. Installation view at Locke de Santa Joana hotel. Photography by Sirence Studios.

A captivating, close-up view of a large textile artwork by Mariana Ralo for Locke Santa Joana, showcasing a rich tapestry of woven and layered fabrics. Bold blocks of color, including red, yellow, blue, and various earth tones, intermingle with intricate patterns and raw edges, creating a dynamic, abstract composition that celebrates artisanal techniques and maximalist texture.

Tapestry (detail) by Mariana Ralo. Installation view at Locke de Santa Joana hotel. Photography by Sirence Studios.

A vibrant textile artwork by Mariana Ralo hangs prominently on a textured white wall at Locke Santa Joana, showcasing a rich mosaic of woven colors and abstract patterns. Below, an outdoor seating area features two wooden chairs, one with an upholstered cushion and the other woven, positioned beside a long blue-tiled water feature with arching spouts, reflecting a blend of artistry and serene outdoor living.

Tapestry by Mariana Ralo. Installation view at Locke de Santa Joana hotel. Photography by Sirence Studios.

This phenomenon was already evident at the first Rotterdam Design Biennale: not only are young Portuguese creatives returning home after studying abroad, but many international designers are also choosing Lisbon as their base, drawn by the value and accessibility of local craftsmanship as much as the possibilities for experimentation. The result is a multi-ethnic, multidisciplinary creative community working to solidify a distinct design identity and gain recognition on the global stage.

To gain deeper insight into this cultural moment and the forces shaping it, we spoke with Michèle Fajtmann, the founder of Lisbon Design Week. Fajtmann, who is also the founder of From My City, a company established in the UK in 2010 specializing in creative placemaking, is particularly interested in the role public space plays in urban life and the use of art and culture for networking purposes.

Answers have been condensed and edited for clarity.

Michele Fajtmann is elegantly seated in a vibrant, sculptural purple armchair with a distinctive organic form. Her casual yet refined attire, combined with the chair's soft curves and rich color, creates a portrait of sophisticated comfort and contemporary design, set against a pristine white background and light wooden floor.

Michele Fajtmann, founder of Lisbon Design Week. Photography by Mireille Roobaert.

  • A vibrant abstract tapestry, on view at Galeria Tapeçarias de Portalegre, dominates a plain white wall above a rustic wooden bench. The artwork features bold, cubist-inspired forms in black, white, brown, and a striking red, depicting musical elements and abstract figures. The composition's clean lines and minimalist pairing allow the intricate textile to be the focal point.

    Installation view, "The colloquial collector" curated by MS Studio at Galeria Tapeçarias de Portalegre. Courtesy of MS Studio. Photography by Sirence Studios.

  • A natural-toned console cabinet, meticulously crafted with intricate woven straw patterns, stands below a vibrant abstract textile artwork depicting organic, flowing forms and leaves. The piece by Flores Textile Studio embodies biophilic and artisanal design, contrasting textural warmth with the minimalist wall, reflecting a thoughtful blend of craft and contemporary aesthetics.

    Installation view, Clair Obscur exhibition by Flores Studio at their original space in Praça das Flores. Featured: Racines Rug and Clarisse sideboard. Photography by Ariel de Mata.

  • A captivating textured textile artwork, resembling organic forms and coral, dominates a dark wall in the Estadobruto showroom by Natalia Brilli Studio. Composed of natural fibers in varying shades of beige and brown, its intricate three-dimensional surface invites tactile exploration. A classic dark wood chair with a woven cane seat sits thoughtfully in the foreground, grounding the artistic expression.

    Paradise tapestry by Natalia Brilli at Estadobruto showroom. Courtesy of Estadobruto.

An industrial-minimalist gallery space by Bamansure features a stark white backdrop and concrete floor. Three piles of white material on the floor form a sculptural focal point, complemented by a hanging abstract artwork in earthy tones. Delicate pendant lights and a deep blue curtain add splashes of color, creating a contemplative atmosphere focused on raw materials and form.

“Lembra-te de mim" (Remember me), a collection of lights, furniture, sketches and memories by bamansure and Jecopalm Office, on display at Gabinete. Photography by Fabio Baldo.

  • An enigmatic art installation features three suspended, conical pendant lights casting gentle glows. Behind the central light, a textured, earth-toned fabric tapestry with darker rectangular forms hangs against a white wall. Below, abstract piles of light-colored material rest on the concrete floor, creating a minimalist and contemplative scene that explores light, form, and raw materiality.

    “Lembra-te de mim" (Remember me), a collection of lights, furniture, sketches and memories by bamansure and Jecopalm Office, on display at Gabinete. Photography by Fabio Baldo.

  • A minimalist setting highlights a finely crafted wooden chair by Bamansure, featuring a curved backrest and a tightly woven natural fiber seat. The chair's elegant, simple lines and exposed joinery suggest a Scandinavian or Japandi influence, emphasizing natural materials and a serene aesthetic against a clean, light background.

    “Lembra-te de mim" (Remember me), a collection of lights, furniture, sketches and memories by bamansure and Jecopalm Office, on display at Gabinete. Photography by Fabio Baldo.

  • A close-up reveals the intricate weave of natural fiber basketry, showcasing traditional craftsmanship where golden jute strands intersect in geometric patterns. The warm wooden handle contrasts against the organic texture, emphasizing the tactile quality of artisanal rope work and sustainable materials in contemporary design.

    “Lembra-te de mim" (Remember me), a collection of lights, furniture, sketches and memories by bamansure and Jecopalm Office, on display at Gabinete. Photography by Fabio Baldo.

  • A minimalist wall display presents a square, raw wooden frame intricately woven with natural jute string, showcasing detailed textile craftsmanship. Above it, three small wooden pegs hold neatly coiled bundles of natural-toned, green, and dark blue twine, hinting at the creative process. The piece by Bamansure emphasizes organic materials and tactile artistry.

    “Lembra-te de mim" (Remember me), a collection of lights, furniture, sketches and memories by bamansure and Jecopalm Office, on display at Gabinete. Photography by Fabio Baldo.

The workshop environment frames these sculptural wooden pieces as works in progress, their turned profiles creating dynamic shadows on polished concrete. The industrial backdrop emphasizes the transformation from raw material to refined object, celebrating the alchemy of traditional craftsmanship in modern making.

MATÉRIA collection by Diogo Amaro. Presented at Banema Studio during Lisbon Design Week 2025. Photography by Francisco Ascensão.

Laminated wood vessels reveal their construction through visible layers, creating sculptural seating or side tables with organic silhouettes. A pop of coral fabric adds warmth to the natural wood tones, demonstrating how traditional woodworking techniques can yield contemporary functional art pieces.

MATÉRIA collection by Diogo Amaro. Presented at Banema Studio during Lisbon Design Week 2025. Photography by Francisco Ascensão.

An artisan's workshop captures the essence of traditional woodworking, where weathered plaster walls frame a craftsperson at work. Hand tools hang precisely on the wall while natural light streams through industrial windows, creating an atmosphere of focused creativity and time-honored making processes.

Cabinet maker Diogo Amaro in his studio. Photography by Francisco Ascensão.

What does it mean to make design in Lisbon?

I'm Belgian and have lived in New York, Warsaw, Brussels, and London, but it was only when I came to Lisbon that I discovered this world of design and high craftsmanship. I wasn't an expert in this field at all, but I became passionate about it after meeting the many organizations and people who showed me the exceptional craft being produced here.

In your opinion, has Lisbon’s cultural scene lost anything over the past decade?

Portugal has always had a rich craft tradition, especially in regions where there wasn’t much else to do. Although people developed their skills there, they never really evolved to the next level. During the Salazar regime (Estado Novo, from 1933 to 1974), traditional crafts such as Portalegre tapestry were commissioned extensively for public buildings, helping entire communities hone their expertise. But when those commissions stopped, there was no new generation ready to take over. As we don't know what the future holds, some of these crafts are of course at risk of disappearing. With that being said, if we can find ways with which to integrate them into projects with designers and galleries, there is a hope that we can preserve them.

  • A captivating detail from the "Arcadia" exhibition by Oficina Marques, Viúva Lamego and Spacegram Studio, showcasing an corner installation crafted from rich, variegated green and golden glazed ceramic tiles. The tiles feature intricate geometric and organic relief patterns, reflecting light beautifully and creating a luxurious, textural interplay of traditional craftsmanship and modern design.

    Arcadia tile collection by Oficina Marques x Viúva Lamego. Installation design by SPACEGRAM Studio. Photography by Manuel Manso.

  • Four designers from Oficina Marques and Spacegram Studios are gathered in a bright, minimalist space, featuring a dark green doorframe and a white tiled architectural element with geometric relief. The group, dressed in modern, relaxed attire, exudes a collaborative and artistic energy, embodying the spirit of contemporary design and creative partnership.

    Gezo Marques & José Aparício Gonçalves (Oficina Marques), Bruno Pereira & Ana Ferrão (Spacegram Studio). Arcadia tile collection by Oficina Marques x Viúva Lamego. Installation design by Spacegram Studio at Oficina Marques showroom. Photography by Manuel Manso.

  • An architectural installation from the "Arcadia" exhibition by Oficina Marques, Viúva Lamego and Spacegram Studio features an immersive space crafted from white and glazed green ceramic tiles. The exterior showcases textured white tiles with subtle relief patterns, while the interior glows with vibrant green and yellow glazed tiles, creating a rich interplay of light and artisanal texture.

    Arcadia tile collection by Oficina Marques x Viúva Lamego. Installation design by SPACEGRAM Studio. Photography by Manuel Manso.

  • A craftsman's hands carefully arrange an exquisite green glazed ceramic tile, part of the "Arcadia" collection by Oficina Marques and Viúva Lamego. The tile features an elegant, elongated teardrop motif with circular accents. Surrounding tiles in varying shades of green and amber reveal the intricate, modular design, highlighting the artisanal quality.

    Arcadia tile collection by Oficina Marques x Viúva Lamego.Photography by Mário Ambrozio, RawStudio Lisboa.

A captivating installation of pendant lights hangs in the CAM Gulbenkian shop, each composed of stacked, sculptural forms in earthy tones like terracotta and beige. Some feature a classic domed shade, while others exhibit layered, abstract shapes. Suspended from slender rods against a backdrop of filtered natural light and greenery, these lights evoke a blend of traditional craftsmanship and contemporary, organic design.

The CAM shop at Centro de Arte Moderna Gulbenkian presented sculptural pieces by Graça Pereira Coutinho alongside a curated selection of designer objects by the Luso Collective. Courtesy of Centro de Arte Moderna Gulbenkian.

The "Perspective and Matter" exhibition by Luso Collective transforms a raw, industrial space into a gallery for contemporary furniture. An array of minimalist designs in various materials like wood, metal, and stone are artfully arranged amidst the decaying concrete walls and exposed timber beams, creating a dramatic interplay between raw architecture and refined objects.

Installation view, "Perspective & Matter" curated by Luso Collective. Photography by Irina Boersma Machado.

  • A captivating display from the "Perspective and Matter" exhibition by Luso Collective set within a raw, industrial space. A tall, sculptural floor lamp with warm, glowing elements stands next to a tiered wooden shelving unit and a minimalist stool with a light cushion. The rough concrete walls and floor enhance the refined textures and forms of the contemporary pieces, evoking an industrial-chic aesthetic.

    Installation view, "Perspective & Matter" curated by Luso Collective. Photography by Irina Boersma Machado.

  • In the raw, atmospheric setting of the Luso Collective's "Perspective Matter" exhibition, an illuminated modern floor lamp with a stark, linear form stands beside a minimalist white table and a dark, sculptural chair composed of block-like elements. The interplay of light and shadow on the textured concrete walls and floor enhances the dramatic mood, highlighting the contemporary pieces within a rustic, almost brutalist, architectural shell.

    Installation view, "Perspective & Matter" curated by Luso Collective. Photography by Irina Boersma Machado.

  • Within the raw, industrial setting of the Luso Collective's "Perspective Matter" exhibition, a dark, columnar pedestal displays a bronze, abstract bust. Nearby, a delicate, multi-tiered light sculpture with illuminated disc-like elements stands beside a smooth, organically shaped marble sculpture. The scene, bathed in soft, focused light, juxtaposes raw architecture with refined artistry, creating a contemplative atmosphere.

    Installation view, "Perspective & Matter" curated by Luso Collective. Photography by Irina Boersma Machado.

A sculptural piece by Made In Situ features a large, irregularly shaped rock with visible strata, subtly suspended by a slender dark metal frame. Its reflection is captured crisply on the dark, polished surface below, creating a minimalist and serene composition. The subtle lighting emphasizes the stone's geological texture, evoking a profound connection to natural forms and geological time.

Xisto Collection by Made in Situ. Photography by Sirence Studios.

A softly illuminated raw stone sculpture by Made In Situ is prominently displayed on a dark, reflective surface, creating a striking vertical reflection. The warm light emanating from within the stone highlights its natural textures and organic form, creating a contemplative atmosphere. The ambient lighting and dramatic shadows emphasize the object's raw beauty as a focal point.

Xisto Collection by Made in Situ. Photography by Sirence Studios.

A highly textured, off-white ceramic sculpture by Carlos Manuel Gonçalves features a stylized human face with closed eyes, a prominent nose, and an elaborate beard. Below the head, a wide, ruffled collar with intricate loop patterns forms the base. The raw, almost unfinished aesthetic, set against a subtly textured white wall, gives the piece an ancient, artisanal quality.

Baile de Máscaras collection of ceramic masks by Carlos Manuel Gonçalves. Installation view at his studio in Ajuda neighborhood. Photography by André Rosa.

So in essence, you're trying to reconnect talent, craft, and institutions.

Many young designers and architects who studied abroad are returning home and joining local studios, gaining confidence and choosing to stay rather than seeking opportunities elsewhere. While we have a strong Fine Arts faculty here, it's a large institution that hasn't evolved significantly. At the same time, we have many skilled artisans who are either self-taught or learn their skills through mentorship, who have received help from various organizations, some of which are doing great nonprofit work to support this ecosystem. So, returning students feel proud and want to stay.

Local designers and architects across generations have expressed their excitement about finally having a design week in Lisbon. As they put it: "We always felt we had to go abroad to prove ourselves. Now we can bring the international audience here instead." This represents both a confidence boost and a challenge, as surviving on local clients alone continues to be difficult. With that being said, Portugal is beginning to attract international clients.

Hands adjust a light bulb on a unique terracotta-colored floor lamp by Pareidolia Design, set against a rustic stone wall. The lamp features a stacked, organic, hourglass-like base with linear white markings, topped by a shallow, curved shade. The raw, handcrafted aesthetic of the lamp contrasts beautifully with the rugged texture of the wall.

Antenna floor lamp by Pareidolia Design (Tatiana Ferreira). Photography by Pedro Gomes Almeida.

A large, rectangular wall art piece by Pareidolia Design, composed of an array of terracotta-colored ceramic tiles, each featuring unique organic shapes and abstract relief patterns. The tiles are arranged in a grid, showcasing various cut-outs, curves, and circular elements that create a dynamic, sculptural effect against a plain white wall.

Playground Tile Panel by Pareidolia Design (Tatiana Ferreira). Courtesy of Tatiana Ferreira.

  • A mesmerizing light sculpture by Estadobruto, crafted from translucent, marbled white onyx, emanates a soft glow against a striking red backdrop. Its blocky, geometric upper form rests upon a more solid, rectangular base, showcasing the natural veining and luminous quality of the stone. This piece exemplifies a minimalist approach to lighting, transforming natural materials into ethereal art.

    Stone lamps by Estadobruto. Courtesy of Estadobruto.

  • A captivating sculptural glass object features numerous amber-hued, diamond-patterned goblets, seemingly overflowing from a matching translucent amber bowl. Hand-crafted by Vista Alegre, it creates a sense of abundant, warm opulence through its rich color and textured forms.

    Glass object by Andrea Zilio (Murano) and Arlindo Francisco (Vista Alegre), hand-crafted at Vista Alegre factory under the creative direction of Emmanuel Babled. Photography by Stéphane Béchaud.

  • A sculptural wall art piece by Maria Pratas, intricately woven from natural fibers in a striking pattern of light cream and warm yellow. The organic, undulating forms create a sense of movement and depth, highlighting the artistry of traditional weaving techniques and the beauty of natural textures.

    Textile sculpture by Maria Pratas. Courtesy of the designer.

  • A soft, sculptural textile piece by Vasco Aguas, crafted from light blue and white patterned fabric, rests on a subtly textured floor. Bathed in natural sunlight, dramatic shadows enhance its organic, biomorphic shape, evoking the gentle unfurling of a flower petal or a cloud, showcasing an artistic and serene approach to form.

    The Verse hotel. Photography by Francisco Nogueira.

What role does design play in Portugal today?

Design has already helped, and I believe it will play an even greater role in the future. It's really a combination of factors. You can read extensively about this, but to cultivate a creative class, including digital nomads and remote workers who are establishing themselves here, you need to initially attract them by offering an ecosystem where they can truly enjoy life. Of course, the beach is a major draw, but they're also culturally motivated to experience museums, galleries, restaurants, and hotels.

Six years ago, I witnessed galleries opening and then closing because they couldn't generate enough interest. Design Week helps tremendously in this regard because it shows people that creativity isn't confined to websites; it's in the streets, all around us, bringing new energy to the city.

In this time of crisis, what really matters in design?

Design that matters is design for local life.

A minimalist gallery setting by Studio Mirante features a central abstract painting with bold black and white organic shapes on a beige canvas. Flanking the painting are two textured, cylindrical wooden wall sconces. Below, two large, abstract white ceramic sculptures rest on rustic wooden plinths, creating a harmonious interplay of form, texture, and natural materials.

Studio Mirante. Photography by Sirence Studios.

On a sun-drenched sandy beach, a man in a cap and jeans is adjusting a net bag full of seaweed on the back of a donkey, which is equipped with traditional wooden panniers. A young boy watches intently nearby. This image captures an authentic, rustic scene of sustainable coastal life, emphasizing traditional practices and harmony with nature.

Project by Gorvell. Part of “O Tempo do Fazer” exhibition at Casa do Jardim da Estrela. © Gorvell.

A minimalist, dark-clad modular cabin by Pedrez stands amidst a rugged, rocky landscape under an overcast sky. Smoke gently rises from its chimney, and an inviting warm light emanates from within, highlighting the interior through expansive sliding glass doors. This structure embodies a thoughtful integration of modern, sustainable design with a wild, untamed natural setting.

Modular cabin by Pedrêz. Part of “O Tempo do Fazer” exhibition at Casa do Jardim da Estrela. © Pedrêz.

  • A striking textile art installation by Maria Dezasseis, featuring three vertical panels of light-colored fabric adorned with colorful abstract shapes in blue, purple, red, and yellow. The panels are framed by a simple wooden structure, set against a serene backdrop of a cloudy sky and calm ocean waves, blending artistic expression with natural beauty.

    Textile installation by KRUS (Maria Dezasseis) at Gliding Barnacles festival (2023), Figueira da Foz. Courtesy of KRUS.

  • A vibrant tabletop display by Studio Mirante, showcasing eclectic ceramics and playful decor. In the foreground, a blue candelabra with red candles complements a sky-and-cloud patterned plate. A large, abstract pink amoeboid painting with jagged edges dominates the background, set against a bold blue wall, exuding a whimsical, maximalist artistry.

    Tableware by Laetitia Rouget at Studio Mirante. Photography by Sirence Studios.

  • A close-up of a whimsical ceramic plate from Studio Mirante, painted a cheerful sky blue with fluffy white clouds and the handwritten phrase "i am a dreamer." A single bright yellow lemon sits beside it, emphasizing the playful, dreamlike quality and the artisanal charm of the piece.

    "I am a dreamer" stoneware plate by Laetitia Rouget at Studio Mirante. Photography by Sirence Studios.

A curated exhibition space by Studio Mirante showcasing a collection of vibrant, hand-painted ceramics and wall art. On the table, unique vases and plates in blues, reds, and greens are interspersed with bright lemons. On the white wall, four abstract botanical paintings, varying in color and composition, reflect a cohesive artistic vision with a natural motif.

Studio Mirante. Photography by Sirence Studios.

  • A close-up of a whimsical artisanal piece from Loulé Criativo's exhibition at Locke Santa Joana. A terracotta vessel is topped with a meticulously woven straw donkey head, featuring vibrant braided reins in neon colors. This piece exemplifies neo-vernacular design, blending traditional Portuguese pottery with playful, handcrafted details.

    CRAFT HEADS, a group show by Loulé Criativo at Locke de Santa Joana hotel. Photography by Sirence Studios.

  • An archway at Locke Santa Joana frames a curated display of Loulé Criativo's work, featuring numerous terracotta vessels topped with diverse woven straw and natural fiber elements. The collection, showcasing traditional Portuguese craftsmanship with a modern twist, is set against a clean white backdrop, creating a harmonious blend of rustic charm and contemporary exhibition design.

    CRAFT HEADS, a group show by Loulé Criativo at Locke de Santa Joana hotel. Photography by Sirence Studios.