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Michele De Lucchi’s First stools line the curved bar, its ochre wood-grain front warmed by concealed lighting, while an amber strip curtain glows towards the kitchen. To the right, striped tables and blue disc-backed chairs, also from Michele De Lucchi’s First series face a rust-red veneered wall. Beside it stands a teal media unit stacked with vintage monitors and speakers.

Seth & Manni’s Brings Memphis Milano’s Radical Spirit to Ibiza

A sun-drenched colour photograph by Stanley Stellar shows men gathering at what appears to be a Pride street fair. One perches on a blue police barricade in white briefs and an open striped shirt, another in jeans props his foot on a rubbish bin, while candy-striped tents, scaffolding and bunting frame the easy camaraderie.

Don't Worry Boys: A Photographic Chronicle of Gay New York by Stanley Stellar

A thin white roof slab cuts a sharp diagonal against the sky, sheltering the living area beside a still pool that mirrors the surrounding trees. Pale paving runs uninterrupted across the flush sliding-door track, while a woman gazes through the glazing towards wooded hills in soft, low light.

Casa Malonic in Zihuatanejo Frames Mexico's Pacific Landscape With Modernist Clarity

Seen from water level, the Ken Club pool is defined by a large porthole-like opening set into a pale wall, revealing neatly stacked towels beyond. The blue surface mirrors the circular aperture, creating a near-symmetrical composition that emphasises the project’s restrained yet playful geometry.

Rodolphe Parente and Marion Mailaender Channel 1980s Exuberance in Paris’s Reimagined Ken Club

A narrow passage framed by exposed brick leads into Castor’s ground-floor workspace, where simple black chairs and metal tables sit against the continuous grey floor. In the background, a tall timber shelving unit introduces warmth amid the building’s raw brick, stone and concrete fabric.

MPNYC Turns Adaptive Reuse into a Catalyst for Invention at Two Piraeus Warehouses

A long view through SaltoBar in Paris, from sunlit window tables towards a cushioned banquette edged in azulejos. A tiled panel of three hanging fish adorns a brick pier. Beside it, a slender metal balustrade bristles with white candles beneath a vivid orange pendant. The mirror-like ceiling doubles the room's warm, amber glow.

At SaltoBar in Paris, Diego Alary's Iberian Cooking Finds Its Architectural Counterpart

An oblique laneway view places Denj Lane within its garage-lined suburban context, highlighting how the two-storey addition departs from its subdued neighbours. Curved concrete profiles, deep green window surrounds, trailing planting and a yellow entrance bring a distinctly domestic, animated presence to the otherwise functional rear streetscape.

Carter Williamson Architects Bring Curves and Colour to an Overlooked Sydney Laneway

A wide view of the top level shows I IN’s restrained retail choreography: vivid yellow flooring and low integrated displays set against rough concrete, with chrome rails tracing both sides of the room. A central sculptural fixture and mirrored wall organise the space while preserving a sense of openness towards the glazed façade.

Andersson Bell’s Flagship Tokyo Store Makes a Case for Beauty in Contrast

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