While the green roof integrates the house into the landscape, the exposed part of the concrete structure stands out against the grassy hillside with its board-formed texture reflecting the starkness of natural landscape. The same brutalist sensibility is carried on inside where exposed concrete floors and ceilings are complemented by wooden panelling on the walls, painted white in the living and kitchen areas, but left in its natural finish in the corridor. White paint is also applied to the bedroom walls as well as the circular courtyards they open up onto, which also feature white tiling and white pebbles, in order to increase the amount of reflected daylight entering the rooms. Underpinned by a minimalist aesthetic, complete with hidden storage seamlessly integrated into the building fabric, the monastic austerity of the interior design mirrors the beautiful emptiness of the surrounding countryside whilst imbuing the house with a contemplative ambience.