The Chairgenics project itself was made possible with the valuable support of Californian-Norwegian start-up Uformia, more specifically the morphing specialist Mathieu Sanchez whose volumetric 3D modeling software managed to make the desired automated progress towards the concept of the ultimate chair, a viable reality. That said, the obstacles Chairgenics found along the way, were similar to problems found in human genetics where according to FormNation's team ''We encountered breeding difficulties in early morphs and established that not all chairs make good mates, for example, the backrest of some chairs disappeared while the stool remained… Subsequent generations of chairs were dramatically improved by adding anatomical boundaries, allowing us to control the growth in each 'bodypart' and avoid inbreeding.''

From October 14,  2013, through to July 6,  2014, viewers will have the chance to witness the first 3D-printed full scale Chairgenics models up close at the MAD Museum in New York City during the ''Out of Hand: Materializing the Postdigital'' exhibition. Curated by Ron Labaco, the exhibition aims to explore the many areas of 21st-century creativity that have been made possible by advanced digital fabrication methods in computer-assisted production such as 3D printing, CNC (computer-numerically-controlled) machining and digital knitting that have offered new and exciting opportunities for artists, architects and designers to rethink their creative processes. Some of the most compelling creations from the past decade ranging from sculpture and furniture to fashion and transport from over 80 international artists, architects, and designers, including Ron Arad, Barry X Ball, Zaha Hadid, Stephen Jones, Anish Kapoor, Allan McCollum, Marc Newson, and Roxy Paine will also be on exhibit.