For her ‘Circles’ series, Yeoman created several temporary installations inside an apparently abandoned industrial space, all with the basic shape of the circle as a starting point. Subtle use of smoke and the way the light sets the mood in each picture makes the otherwise mundane objects appear otherworldly, or even with a life of their own. Of a more cinematic scale is Yeoman’s ‘And Then’ series, set in a misty forest where dream-like scenes occur like twisted images out of a fantasy novel. Yeoman has also produced a series of works called ‘Alphabetical’, which are again photographs of temporary installations: by sculpturally arranging objects such as chairs or dozens of scissors, she creates a visual illusion of the letter she wants to depict that is only visible from a specific angle. In the same vein, for the work she has produced for the New York Times, Yeoman recreated the historic newspaper’s logo using different materials and objects.